Scott Valentine is a vampire who is torn between his need to feed and his desire to learn about the world of humans. But when he kidnaps Nina, a beautiful but troubled stripper, his world is turned upside down. For after she discovers that he cannot be hurt physically, Nina tries a new tactic... seduction.

A vampire is going to snack on a guy but falls in love with him instead.

A desperate teen tries to save himself and the girl he loves after discovering he's transforming into a vampire.

Baron Osvaldo Lambertenghi is forced to sell his ancestral castle, staying on as a bellboy when it's converted into a hotel. However he becomes vampirized when his mysterious uncle comes to stay.

A bereaved man copes with a burdensome past and realizes he is inextricably linked to it.

Matt is a twelve year old boy who is tired of not getting what he wants, his brother, Greg gets to stay up late and his sister gets her own phone. So he decides to sleep upstairs in the attic, but then he gets sent to another dimension where everyone treats him like an adult.

NANCY MONROE’s mother DENISE just got married — and Nancy has a new stepbrother, VICTOR, a Goth guy who dresses in black, wears lots of sunscreen, apparently talks to his cat, and has the ability to cloud women’s minds. So Nancy is convinced that he’s a vampire — but is she a paranoid wingnut, or is she the only person who sees Victor’s true nature?

Low budget vampire film.

Gerhard Steidl has spent the last 40 years printing and publishing books. His legendary, unconditional obsession with his trade has led him to become the publisher of choice for an A list of artists that include Martin Parr, Ed Ruscha, Robert Adams, Jeff Wall and Robert Frank among others. 　　Steidl is himself an artist in his way, travelling the world to discuss the saturation of colours, the perfume of ink and the comparative qualities of paper with his clients, then returning to his presses in Göttingen, Germany to assail his staff with a minutiae of details in his quest for perfection. 　　Steidl’s passion is infectious, his client list unique and the quality of his work without parallel. These, together with his idiosyncratic approach have made him a gift for documentary film makers Gereon Wetzel and Jörg Adolph who spent a year following the meister and his herculean schedule: ten appointments in a day; Los Angeles, Astoria, Nova Scotia and Vancouver in four days, then months at the presses. 　　Their resulting film: ‘How to Make a Book with Steidl’ is a gem of a document. Steidl appears to flit at superhuman tempo between meetings with Karl Lagerfeld in Paris and Günter Grass in Schleswig-Holstein. Then there are hours of travelling, of waiting between appointments and the quiet poetry of loving conversations about art with some of the greatest photographers of the twentieth century. And all the way through the viewer is compelled by the energy with which drives his vision through everyone and everything like a relentless steamroller.

Gerhard Steidl has spent the last 40 years printing and publishing books. His legendary, unconditional obsession with his trade has led him to become the publisher of choice for an A list of artists that include Martin Parr, Ed Ruscha, Robert Adams, Jeff Wall and Robert Frank among others. 　　Steidl is himself an artist in his way, travelling the world to discuss the saturation of colours, the perfume of ink and the comparative qualities of paper with his clients, then returning to his presses in Göttingen, Germany to assail his staff with a minutiae of details in his quest for perfection. 　　Steidl’s passion is infectious, his client list unique and the quality of his work without parallel. These, together with his idiosyncratic approach have made him a gift for documentary film makers Gereon Wetzel and Jörg Adolph who spent a year following the meister and his herculean schedule: ten appointments in a day; Los Angeles, Astoria, Nova Scotia and Vancouver in four days, then months at the presses. 　　Their resulting film: ‘How to Make a Book with Steidl’ is a gem of a document. Steidl appears to flit at superhuman tempo between meetings with Karl Lagerfeld in Paris and Günter Grass in Schleswig-Holstein. Then there are hours of travelling, of waiting between appointments and the quiet poetry of loving conversations about art with some of the greatest photographers of the twentieth century. And all the way through the viewer is compelled by the energy with which drives his vision through everyone and everything like a relentless steamroller.